Monthly Archives: July 2011

2011 OPAF Final Weekend Schedule

The 2011 Odyssey Performance Art Festival is heading into its final weekend. Here is the schedule for the seven performances to come (please note that Sca Shilova’s Let Them Eat Cake has moved to Sunday at 12 noon SLT):


Friday July 15 – 1 PM SLT
The Extraordinary Adventures of Kikas & Marmaduke
Marmaduke Arado and Kikas Babenco
Kikas Babenco and Marmaduke Arado, call themselves The Wearers and have developed a show called “The Extraordinary Adventures of Kikas & Marmaduke” – a succession of scenes from a hypothetical 3D cartoon telling the wacky trials and tribulations of their avatars in Second Life.

“The Extraordinary Adventures of Kikas & Marmaduke” aims to be fun while it explores the possibilities of Second Life itself as a creative medium.

Saturday July 16 – 1 AM SLT
SENSES PLACES
Mixed Reality Participatory Performance Environment
Todd Cochrane and Isabel Valverde
Physical site: Fridge Gallery, C Bloc, Wellington Institute of Technology,
23-27 Kensington Av., Petone

This mixed reality participatory performance will involve Movement/Dance and Sound/Music Improvisation, amongst physical bodies, and physical bodies and avatars. Keyboard-free alternative modes of embodied interfacing will be enabled by video livestream in SL of the physical participants at Betone, NZ, and, possibly, Tokyo, Japan, Webcam and Wiimote interfacing (software objects to be shared) for physical and remote participants.

Senses Places continues the ongoing experimental dance-technology collaborative research work from Real Virtual Games through Weathering In, towards critically expanding kinesthetic/synesthetic perceptions and communication, engaging physical and physical-virtual Contact and Somatic Movement based Improvisation, Sound, and body-environment climate interactions.

We focus on challenging choreographic/designed/devised relationships amongst participants, with/through mediated doubles (video image and/or avatar), and with aspects of the responsive environment, which would benefit, enrich, bringing agency to embodied subjects within a post-human corporeal condition.


Saturday July 16 – 1 PM SLT
Avatar Wrestling Federation Smacktacular – Championship Rounds
Dan Coyote Antonelli/DC Spenseley (USA)
with the Second Life Cheerleading Squad (International)
Come one, come all and compete in the first ever AVATAR WRESTLING FEDERATION SMACKTACULAR! Good guys, bad guys and all characters in between earn bragging rights at this “spectacle of excess” unparalleled in any life and not possible in real life!

Join avatars from communities from all over Second Life to come together for a festival of absurd creative competition and over-the-top artistic performance and entertainment. At this event the winner takes it all.

Featuring routines by the Second Life Cheerleading Squad. Started in 2007 by Christi Charron, the SLCS has blossomed into the largest and most successful Cheerleading groups within Second Life.

Saturday July 16 – 4:30 PM SLT/9 PM NST
Upside Down World (Pearls for Pigs)
Liz Solo/Fau Ferdinand/Jo Ellsmere (NFLD, UK,USA)
physical site: Black Bag Media Collective Studio, St. John’s, Newfoundland
A hybrid reality performance.

Sunday July 17 – 12 Noon SLT

Let Them Eat Cake
by Sca Shilova
with Fau Ferdinand, Suru Sautereau and Alex Arashi

A new performance.


Sunday July 17 – 1 PM SLT

Interdimensional Call
Kai Steamer
Interdimensional Call
The energy of the universe flows through everything, allows us to have sensory experiences, communicate with each other and is not limited to only the virtual world. It is also present in other dimensions of our reality, like that unknown world: the so-called ‘physical world.’
A ritual of initiation and purification is needed; an encounter with the operator that every avatar has. Whether you believe in them or not, they rule our destiny.
A communication channel will be opened with one of them. Are there any messages for us out there?


Sunday July 17 – 2 PM SLT
MASS.LIVE.NU (The Future of Social Mass Media)
Ze Moo
MASS.LIVE.NU performance is a modest comment on some of today’s global issues and an attempt to predict a future where cyber migration becomes an issue when geopolitical borders prevent migration of people seeking happiness. “Lag-Hell on Earth”.

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Images from Thursday Bloody Thursday





photos by Fau Ferdinand

Thursday Bloody Thursday

Thursday Bloody Thursday

A performance by Alan Sondheim with Sandy Baldwin

2011 Odyssey Performance Art Festival Thursday July 7th

[13:57] lizsolo Mathilde: welcome everyone to the second performance of our festival

[13:58] sandy Taifun: zzzzzz

[13:58] sandy Taifun: Nude Nikuko sitting on nude Doctor Leopold Konninger with sfx.

[13:58] sandy Taifun: Quickcam segments with Nikuko’s voice describing her sex.

[14:01] sandy Taifun: We swallowed each other, mouth against organ, juices bubbling over the tongue, wet eyes, wet hair, mouthing HONEY, you’d say, m

[14:01] sandy Taifun: I’d press myself up against the TERMINAL screen TERMINAL desire, my nipple against the O mouthing itself, taking death away, he

[14:01] sandy Taifun: Our membranes devoured the glass, enchanted residue remaining on-line off- line for days.

[14:01] sandy Taifun: My mouth and HONEY’s cunt: A double hollow! My cock and HONEY’s fist: Lozenge! My body would break on itself, a limited defile!

[14:01] sandy Taifun: I enter your nave! Your feet skid down parallel wires; sliding into my testicles, ASCII spurts from your urethra, ASCII spurts

[14:01] sandy Taifun: Black plane cuts the furrows weather-vaning across tillageand you can dream your bright lights, you can dream your

trees. At night I try to sleep in the fires, there are lips

and labia everywhere, skin swollen and cracked to the bursting

point. There’s no difference between you and me. Between

the two of us. The deep slits in the dry dark earth carry

water down and out to the road. The road’s always filled but

the people are invisible and I do not love them and will not

learn to love them.

[14:01] Pye: oo its good set to midnight

[14:01] sandy Taifun: Excellent. And this is what I want you to do, Alan –

[14:01] sandy Taifun: zzzzz

[14:01] sandy Taifun: Tell us the nature of your wrecking activities.

[14:01] sandy Taifun: My avatars! My little people!

[14:01] sandy Taifun: I have moved into the interior of avatars…

[14:01] sandy Taifun: My avatars speak with a thousand voices. Mon poupees.

[14:01] sandy Taifun: DO WE NOT BREATHE AS ONE PERSON? ARE WE NOT HUMAN?

[14:01] sandy Taifun: My avatars murmur constantly, you can hear them just beneath the surface, in my heart, my little gasps of air, my little dolls

[14:01] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:01] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:01] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:01] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:01] sandy Taifun: tsukuri mashou, tsukuri mashou, sate sate nani ga dekiru ka na… hai dekimashita! (tsukuri shou, shou tsukuri, whose headquarters is based ga dekiru ka na … dekimashita alive!)

[14:01] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:01] sandy Taifun: I wish I was home making new avatars on my computer to fuck with. [14:01] sandy Taifun: The avatar has to avoid the swords. The swords make the avatar angry.

[14:01] sandy Taifun: avatar-meat from body motion-capture to digital representation to uncaptured body body remembering origins / scars < digital

[14:01] sandy Taifun: ancer ancer ancer/avatar ancer/ancer ancer/igital ancer igital ancer. Ancere Ancere / avatar Ancere / Ancere Ancere / Ancere igital igital Ancere.)

[14:01] sandy Taifun: ancer{}igital{{}}avatar{}analog. igital{{}}avatar{}analog.

[14:01] sandy Taifun: every avatar is deconstructible

[14:01] sandy Taifun: every avatar has a level of deconstruction

[14:01] sandy Taifun: engineering and reverse engineering an avatar

(Ancere

[14:01] sandy Taifun: The avatar has to avoid the swords. The swords make the avatar angry.

[14:01] sandy Taifun: avatar-meat from body motion-capture to digital representation to uncaptured body body remembering origins / scars < digital

[14:01] sandy Taifun: ancer ancer ancer/avatar ancer/ancer ancer/igital ancer igital ancer. Ancere Ancere / avatar Ancere / Ancere Ancere / Ancere igital igital Ancere.)

[14:01] sandy Taifun: ancer{}igital{{}}avatar{}analog. igital{{}}avatar{}analog.

[14:01] sandy Taifun: every avatar is deconstructible

[14:01] sandy Taifun: every avatar has a level of deconstruction

[14:01] sandy Taifun: engineering and reverse engineering an avatar

(Ancere

[14:01] sandy Taifun: avatars created from cloth and wire held in suspension creating a perfect framework

[14:01] sandy Taifun: tabla/ture avatar motion capture combination the dialog: Collapse options

[14:01] sandy Taifun: o avatar, rise in the midst of maelstrom, sadness of cobalt plutonium sadness uranium sadness radium sadness

[14:01] sandy Taifun: – seriously, what covers the pain of completion, i am yours no more argon xenon neon, whirl me through you avatar

[14:01] sandy Taifun: i am your avatar i am your avatar of an infinnnnitude of drugs [14:01] sandy Taifun: this file is sex avatar fuck avatar suck avatar cum avatar. [14:01] sandy Taifun: this file is your avatar my knife skin avatar. [14:01] sandy Taifun: if you watch a solo file of avatar this is the solo file sexatar to watch.

[14:01] sandy Taifun: When I was working in the seed cultivation department —

[14:01] sandy Taifun: ghost avatar spectre doll faerie wraithe hobgoblin troll tengu kappa presence

[14:01] sandy Taifun: cloth stitch suture binding closing damming holding fabric velvet cotton wool silk

[14:01] sandy Taifun: “Consider the next smearing of your thinking skin.\n”;

[14:01] sandy Taifun: shades of avatars– precognition of behavior collision avatar transparent interpenetration sex

[14:01] sandy Taifun: tacit knowledge through electronic avatar

[14:01] sandy Taifun: Every symbol is a ligament of avatar; every referent is a gesture; every gesture procures the body; every body is a speaking

[14:01] sandy Taifun: Re: Manipulated Chat … [-] Avatars, models, performers, d… [-] Re: Avatars, models, perfor…

[14:01] sandy Taifun: ruptured mess of the avatars banged into one another maybe they fucked in any case whatever skin they had disappeared

[14:01] sandy Taifun: Kamishibai, virtual idols, and PlayKiss

[14:01] sandy Taifun: Nikuko, Meat-Girl, (among others) an avatar or ’emanation’

[14:01] sandy Taifun: root of the avatar is elsewhere

[14:01] sandy Taifun: The disappearance of the branch into hardened rock and occasional artifacts.

[14:01] sandy Taifun: the avatar itself, the image-avatar, is ghost. The ghost travels through anything of course; nothing more than coordinates

[14:01] sandy Taifun: {avatars are backed, at the back of infinite space}. [14:01] sandy Taifun: the digital is sublime, infinite {avatars are backed, at the back of infinite space}

[14:01] sandy Taifun: refuse moon-bay, moon-bay. avatars, (digital) within the sublime; the digital is sublime

[14:01] sandy Taifun: the backs of avatars are against the wall of digital space; there’s nowhere left to go.

[14:01] sandy Taifun: AVATAR MACHINE AVATAR MACHINE AVATAR MACHINE AVATAR MACHINE AVATAR MACHINE AVATAR MACHINE AVATAR MACHINE AVATAR MACHINE AVATAR

[14:01] sandy Taifun: “one by one, each on a line alone, typing Control-d when done.\n”;

[14:01] sandy Taifun: $name calls forth $a[$gen1] $noun[$non], hungered, making things. $prep[$pre] the $a[$gen], $name is $a[$diff], $[$gen], $str?

[14:01] sandy Taifun: system(“touch .trace; rev rope >> .trace”); system(“rm rope”);

[14:01] sandy Taifun: “Your inscription finished, you have created thing.”, “\n\n” if 3 < $g;

[14:01] sandy Taifun: This just gets it started. Could the avatar push out infinitely into the unruptured catastrophic space of the edges

[14:01] sandy Taifun: Furious flight slammed against members-only barriers. The raw deal of equally infinite speed.

[14:01] sandy Taifun: something like the avatar head pieces I did a while ago – but those were excusable! They went somewhere, said something!

[14:01] sandy Taifun: coursing of trapped blood, flush of heart, spirit vaporized, substitute for bodypart of another, apparatus of obstinancy, prick

[14:01] sandy Taifun: the beginning of transparency, wizard listening-posts on MOOs for example. Here we are, the virtual becoming-virtual still.

[14:01] sandy Taifun: Given that the danced-to-infinity motion-capture second=life quasi-avatar is tethered at a root somewhat distanced

[14:01] sandy Taifun: This is excellent, and I will do my very best.

[14:01] sandy Taifun: to have the image ‘break through’ private barriers – of course with little consequence

[14:01] sandy Taifun: llnhx 2.2.6.::attributions Devour Blue Nattributions Brought Forth through lntarn$l karnals, bhckats pf mpdhlas,

[14:01] sandy Taifun: Attempt to grapple or ungrapple Death Star Galleon (s0): h Death Star Galleon (s0): boarding the Flying Dutchy (f0) Flying Dutc

[14:01] sandy Taifun: Sound of wood and wire: new alpine zither:

[14:01] sandy Taifun: this machine: undoes his belt buckle for him, finds the right diagram with which to support my weight, tongue, zone, other love

[14:01] sandy Taifun: MOUTH LETS GO OF CHAINS OF SENTENCES, RAMPLES, GIGGLES, TONGUES SPREAD WET OUT OVER LIPS, LEAKS, COLLAPSES, MELTS, HIS FINGERS

[14:01] sandy Taifun: What was the nature of your criminal activities? [14:01] sandy Taifun: don’t give me your dreams as well. oak floors are hard but they tend to swell in floods, pushing out the walls of the house, everything falls to pieces, you can’t find the planes @jason

[14:01] sandy Taifun: Here my criminal activities consisted first of all in wrong.

[14:02] sandy Taifun: Avatars are always disturbances, always irruptions of language, a lang- uage portending _the raveling of existence and essence

[14:02] sandy Taifun: I am learning so very hard here. [14:03] cullum Writer: adreeeeeeeeeeee [14:03] cullum Writer: sirmãaaaaaaaaaaaaaaaaaa [14:04] Karlos Decosta: ola, cullum

[14:04] cullum Writer:

[14:04] cullum Writer:

[14:04] cullum Writer:

[14:04] cullum Writer:

[14:04] cullum Writer:

[14:04] cullum Writer:

[14:08] Arahan: OOOk

oi karlos!!! hi karlos! boa tarde “good afternoon”,[[“interjection”,”good afternoon”]] ok “OK”,[[“adverb”,”okay”,”OK”,”okey”,”okeydokey”]]

[14:11] sandy Taifun: White Room Girl: Smart boy. Now they watch, and they can no longer touch. …

Angel: Mmm… oo-kay… Groo: Pomegranate Mist is [14:11] sandy Taifun: interior removal

[14:11] sandy Taifun: Where is the girl I used to know Fm/Ab Fsus/Ab Abm7 Abm7/Db Gbmaj7/Db …. Dim dipple ee dim dipple ay dim dipple oo dim dee ay

[14:11] sandy Taifun: But I can’t help it, oo oo. Thank god, for sex in the brain. In the brain. … A big house, a nice job, oh boy. Look. See. She

[14:11] sandy Taifun: Maggie Quinn, Girl reporter. Honors student, newspaper staffer, yearbook photographer. ….. neck and baby-talked, “Does oo haf

[14:11] sandy Taifun: Boy, she’s gonna love that. When we are finished with that, …. Oh well, no big . Husband brought home the American girl dolls

[14:11] sandy Taifun: BOY-I’ll swim the ocean for you GIRL- Yeah Riiiiiggghhhtttt Boy- I … ok sexy wutev u say O.O and tell Aiden not to hurt meh

[14:11] sandy Taifun: O O> X>O .>>>X >: O:OO>:O. O> >O:::>>O::O’OO .>O ‘X O’ XO:’ ‘O>O>. O:> O: .OO>>O’O> . ….. An old man and a young girl/boy pas

[14:11] sandy Taifun: The kids gathered around me with delight; Oo’ed and ahh’ed as I uncovered my … The birthday boy was amused with the adorable

[14:11] sandy Taifun: the sincere, true-hearted girl they thought her, and she was as loyal to …… “Oooo-oo-oo-oh!” giggled Trees. “Sahwah tickled

[14:11] sandy Taifun: Hey!

[14:20] ush Underwood: sorry philos

[14:20] Philos Kidd: np 🙂

[14:21] Frieda Korda: OOOPS

[14:21] Dancoyote Antonelli: where does art stop and exhibitionism begin?

[14:21] sandy Taifun: the future of the Net, if and when it attains a state of _seamless virtual reality,_ a state of melding with the real

[14:21] sandy Taifun: disturbances in another way tending towards _psychosis,_ an interweaving of realities, respon- sibilities and claim

[14:21] sandy Taifun: coagulating like limpets seas and jellies

[14:21] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:21] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:21] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:21] sandy Taifun: transformed new early version of the avatar ‘outt’ behavior [14:21] sandy Taifun: the avatar is blue in a construct-space of outt-structure.

[14:21] sandy Taifun: each avatar-video or each avatar-performance is different in content from each other but not in degree.

[14:21] sandy Taifun: sukara, dakshinanila, nandiskandhardhara, dhurya, prakata, pritvardhana, aparajita, sarvasattva, govinda, adhrita

[14:21] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:21] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:21] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:21] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:21] sandy Taifun: don’t listen to avatar-man. listen to dream-woman.

[14:21] sandy Taifun: don’t listen to dream-woman with avatar-man.

[14:21] sandy Taifun: this avatar-man is contaminated. this building is condemned.

[14:21] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:21] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:21] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:22] sandy Taifun: not always clear that the speaker herself can separate from her creations. Voices, voices!

[14:22] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:22] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:22] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:22] sandy Taifun: These disturbances develop the limits or margins of the program, reveal the substructures/protocols at work and violate dialogs

[14:22] sandy Taifun: We do look at ruptures or disturbances created by characters resonating or interfering with configuration files

[14:22] sandy Taifun: Avatars are always disturbances, always irruptions of language, a lang- uage portending _the raveling of existence and essence

[14:22] sandy Taifun: Neurotic Fragment I love Holderlin. Perhaps you could oh please tell me more and more about some neurotic experiences you have had with Holderlin. Obtuse. Nothing to report on. Misery and exhilaration. What makes you yearn and cry that you love her all your heart? Oh she is me to be me and free see. Why must you respond so briefly? Fuck you!

Please, you do so turn me on, continue!

Fuck you fuck you!

Would you please clothe yourself in these unwholesome thoughts.

Oh yes fuck you!

Why don’t you oh please do finger yourself.

Oh I’m fingering myself!

What makes you believe you are fingering yourself?

Fuck you!

Do so come on to me and we will be not neurotic.

We are neurotic! Live with it!

[14:22] SaveMe Oh: this is by far the worsed performance since long

[14:22] sandy Taifun: absurd linkage VOLUPTUOUS SHOCK absurd linkage VIGOR BODY FRAME absurd linkage “TREE” “SEA” “SKY” “I” absurd linkage GO AWAY GO

[14:22] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:22] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:22] sandy Taifun: metallize starched nurse uniform wanton hands liquify vaporize atmospheric electricity markers lust muddies turgid light idols

[14:22] sandy Taifun: “My avatars are leashed, tethered to logical thought, to the protocols of logical thought; it’s a wonder they can think at al

[14:22] sandy Taifun: One cannot reach farther than this thinking through one’s reach, and the reach of avatars. reach avatars. of and avatars.

[14:22] sandy Taifun: the One cannot come closer to control and its release, the One and dissipation. cannot and the and dissipation. the

[14:22] sandy Taifun: Enter the new reality The world, suffused with sound.

[14:22] sandy Taifun: OOH AHH OOH AHH YOU ARE YOU ARE OOH AHH OOH AHH YOU ARE YOU ARE OOH AHH OOH AAH YOUR ARE YOUR ARE OOH AAH YOURS YOURS ARMS ARMS

[14:22] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:22] sandy Taifun: Over Lord 1 Quon: The tone of war… Wings creak, the sound of a beginning. (Subtitle)

[14:22] sandy Taifun: Haruka: “Why in the world was their blood blue?” That’s what you’re wondering. Ayato stops and turns toward her Har

[14:22] sandy Taifun: semiotic comic witness extreme pleasure speech reduction crushed limbs conspiracy of integral monsters torso split big brains

[14:22] Dancoyote Antonelli: where does art stop and exhibitionism begin?

[14:22] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:22] sandy Taifun: vaseline-coated camera lens blood streets orchid limb thrust meter possessive handgun GIMME GIMME GIMME GIMME GIMME GIMME GIMME

[14:22] sandy Taifun: I SAY I AM DYING remaining suspended I SAY I AM DYING remaining suspended I SAY I AM DYING remaining suspended I SAY I AM DYING

[14:22] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:22] Dancoyote Antonelli: and why do we want to look at Anan and Sandy’s junk? [14:23] SaveMe Oh: this guys maust have copied all wikipedia [14:23] sandy Taifun: My avatars! My little people! [14:23] sandy Taifun: I have moved into the interior of avatars…

[14:23] sandy Taifun: My avatars speak with a thousand voices. Mon poupees. [14:23] sandy Taifun: DO WE NOT BREATHE AS ONE PERSON? ARE WE NOT HUMAN?

[14:23] sandy Taifun: My avatars murmur constantly, you can hear them just beneath the surface, in my heart, my little gasps of air, my little dolls

[14:23] sandy Taifun: tsukuri mashou, tsukuri mashou, sate sate nani ga dekiru ka na… hai dekimashita!

[14:23] sandy Taifun: don’t listen to avatar-man. listen to dream-woman. [14:23] sandy Taifun: don’t listen to dream-woman with avatar-man. [14:23] sandy Taifun: this avatar-man is contaminated. this building is condemned. [14:23] sandy Taifun: coagulating like limpets seas and jellies

[14:23] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:23] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:23] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:23] sandy Taifun: There is often a lure and seduction among the avatars at work here – and this relates to the Lacanian objet a, deferal….

[14:23] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:23] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:23] sandy Taifun: You begin to understand that not all avatars are bots or expert systems that some of them are symptoms just as I am

[14:23] sandy Taifun: your words appear to the other, and erasures are also visible, the letters disappearing in reverse.

[14:23] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:23] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:23] sandy Taifun: Well, there’s no more to it, and his writing avatar discourse itself is getting stale. He’s taken you and I around the bend

[14:23] sandy Taifun: which trundles bundles towards the future; we’re all there carrying more than our share of avatar’s, where there, or so I heard

[14:23] sandy Taifun: Each participant occupies a space on the screen which represents – or is – the space of the (virtual) body constituted written

[14:23] sandy Taifun: remediations, mediations, projectivities, introjectivities, phenomenologies, histories, and mechanics, of avatars

[14:23] sandy Taifun: Extruded intruded (upon) body: cleansed bodies of the continuous middle- eastern ‘war’

[14:23] sandy Taifun: armored bodies and imaginary journeys (Rhine, England); sexualized bodies:

[14:23] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:23] sandy Taifun: natyasatrotpatti: mythical origin of the work

[14:23] sandy Taifun: Just like those pirouettes, as if there were a body at the center of them. Her skirt kept flying up, and there was nothing

[14:23] sandy Taifun: SQUEAK speak forever or now hold your peace; this is your life, you do not have a lease on any other, your avatars have left,

[14:23] sandy Taifun: margins, slippages, constitutions, constructs, emergences from the “depths” of software or hardware, blockages and flows

[14:23] sandy Taifun: only through taking these into account, as well as surface manifestations is it possible to comprehend virtual subjectivity

[14:23] sandy Taifun: “My avatars are leashed, tethered to logical thought, to the protocols of logical thought; it’s a wonder they can think at al

[14:23] sandy Taifun: One cannot reach farther than this thinking through one’s reach, and the reach of avatars. reach avatars. of and avatars.

[14:23] sandy Taifun: the One cannot come closer to control and its release, the One and dissipation. cannot and the and dissipation. the

[14:23] sandy Taifun: Enter the new reality The world, suffused with sound.

[14:23] sandy Taifun: absurd linkage VOLUPTUOUS SHOCK absurd linkage VIGOR BODY FRAME absurd linkage “TREE” “SEA” “SKY” “I” absurd linkage GO AWAY GO

[14:23] sandy Taifun: consider the _projection of the self_ – its written or constituted appearance – in various applications

[14:23] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:23] sandy Taifun: preksagrhalasksana: characteristicis of the playhouse and its different parts

[14:23] sandy Taifun: Over Lord 1 Quon: The tone of war… Wings creak, the sound of a beginning. (Subtitle)

[14:23] sandy Taifun: Haruka: “Why in the world was their blood blue?” That’s what you’re wondering. Ayato stops and turns toward her Har

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: rangadevatapujana: worship of the deities connected with the stage

[14:23] sandy Taifun: upangavidhana: gestures of minor limbs such as eyes eyballs eyebrows nose cheeks lower lip chin mouth

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: OOH AHH OOH AHH YOU ARE YOU ARE OOH AHH OOH AHH YOU ARE YOU ARE OOH AHH OOH AAH YOUR ARE YOUR ARE OOH AAH YOURS YOURS ARMS ARMS

[14:23] sandy Taifun: gave new Life to my Avatar and now Her Body moves just like I would move if I had a File called God

[14:23] sandy Taifun: avatar attempting escape of the vectors of its origin [14:23] sandy Taifun: this was the result of avatar-work which led to the work

[14:23] sandy Taifun: 15:47:47 There are avatars that are constructed from motion capture equipment 15:48:08 and images from laser scanning

[14:23] sandy Taifun: check out the Love and War, Avatar, Cyborg, and Experimental conferences.

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:23] sandy Taifun: semiotic comic witness extreme pleasure speech reduction crushed limbs conspiracy of integral monsters torso split big brains

[14:23] sandy Taifun: vaseline-coated camera lens blood streets orchid limb thrust meter possessive handgun GIMME GIMME GIMME GIMME GIMME GIMME GIMME

[14:23] sandy Taifun: I SAY I AM DYING remaining suspended I SAY I AM DYING remaining suspended I SAY I AM DYING remaining suspended I SAY I AM DYING

[14:23] sandy Taifun: for help. 16:04:35 I want to explore more ‘body-avatar’ issues

[14:23] sandy Taifun: tobother people less! 16:07:11 The dancers are like live avatars yes – 29-Jan- 2007 16:07:18 In fact some of the work they do

[14:23] sandy Taifun: I am Jennifer. Please, describe yourself oh I would appreciate so very much it if you would. Each time you are finished talking, type RET twice. I don’t want you look at me now I am so ashame.

Why do you say that?

Because to want to be taken. I have shame. Because of this shame.

Is it because to want to be taken you have shame because of this shame

that you came naked and broken to me?

Truth. Oh fuck. I do this shame have, I am ashame. Here and broken.

Are you afraid of sex?

I do so cower. I can speak hardly. My tongue is rippe. Ashame.

Earlier you said to want to be taken you have shame because of this

shame?

Because of you this shame.

[14:23] sandy Taifun: Extruded intruded (upon) body: cleansed bodies of the continuous middle- eastern ‘war’

[14:23] sandy Taifun: armored bodies and imaginary journeys (Rhine, England); sexualized bodies:

[14:23] SaveMe Oh: when I see this I realise Ody needs desperately new curators [14:23] Dancoyote Antonelli: “let it all hang out?”

[14:24] sandy Taifun: audiophiles app avatar avatar arounds bio avatar avatar blogs awk biomes tion tr

[14:24] sandy Taifun: audiophiles avatar avatar avatars exe everglades

[14:24] sandy Taifun: empathetic everglades encapsulations episteme extasis entropic extasis extensivity everglades fantasm externality extensivity

[14:24] sandy Taifun: tsukuri mashou, tsukuri mashou, sate sate nani ga dekiru ka na… hai dekimashita!

[14:24] sandy Taifun: I am Jennifer. Please, describe yourself oh I would appreciate so very much it if you would. Each time you are finished talking, type RET twice. I don’t want you look at me now I am so ashame.

Why do you say that? Because to want to be taken. I have shame. Because of this shame. Is it because to want to be taken you have shame because of this shame that you came naked and broken to me? Truth. Oh fuck. I do this shame have, I am ashame. Here and broken. Are you afraid of sex? I do so cower. I can speak hardly. My tongue is rippe. Ashame. Earlier you said to want to be taken you have shame because of this shame? Because of you this shame. [14:24] SaveMe Oh: what a primwaste [14:24] sandy Taifun: don’t listen to avatar-man. listen to dream-woman. [14:24] sandy Taifun: don’t listen to dream-woman with avatar-man. [14:24] sandy Taifun: this avatar-man is contaminated. this building is condemned. [14:24] sandy Taifun: a package: this avatar / that avatar. knives. prims cut. [14:24] sandy Taifun: avatar-man talks. look inside he says. you can do it.

[14:24] sandy Taifun: coagulating like limpets seas and jellies

[14:24] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:24] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:24] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:24] sandy Taifun: There is often a lure and seduction among the avatars at work here – and this relates to the Lacanian objet a, deferal….

[14:24] sandy Taifun: the future of the Net, if and when it attains a state of _seamless virtual reality,_ a state of melding with the real

[14:24] sandy Taifun: disturbances in another way tending towards _psychosis,_ an interweaving of realities, respon- sibilities and claim

[14:24] sandy Taifun: your words appear to the other, and erasures are also visible, the letters disappearing in reverse.

[14:24] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:24] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:24] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:24] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:24] sandy Taifun: construction torsion near avatar edge-space. the limits of avatar are the limits of world.

[14:24] sandy Taifun: avatar anorectic

[14:24] sandy Taifun: not always clear that the speaker herself can separate from her creations. Voices, voices!

[14:24] sandy Taifun: Each participant occupies a space on the screen which represents – or is – the space of the (virtual) body constituted written

[14:24] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:24] sandy Taifun: margins, slippages, constitutions, constructs, emergences from the “depths” of software or hardware, blockages and flows

[14:24] sandy Taifun: only through taking these into account, as well as surface manifestations is it possible to comprehend virtual subjectivity

[14:24] sandy Taifun: These disturbances develop the limits or margins of the program, reveal the substructures/protocols at work and violate dialogs

[14:24] sandy Taifun: consider the _projection of the self_ – its written or constituted appearance – in various applications

[14:24] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:24] sandy Taifun: We do look at ruptures or disturbances created by characters resonating or interfering with configuration files

[14:24] sandy Taifun: Avatars are always disturbances, always irruptions of language, a lang- uage portending _the raveling of existence and essence

[14:25] sandy Taifun: ww To be taken and confine, Jennifer, to have hurt go away. Perhaps and now I adjust my flesh you should make love with someone cooler, I am so hungry for you. Please do not that do to me, Jennifer, do so understand. Are you frightened by that? Very I am frightened and fearful of that. That I am ashame. That I have bodee. What makes you yearn and cry that you are scared of something? You do see me broken so very much. Weeping I know not why. Can you elaborate on that and look at me? You do so form me when I do look that I am ashame what you do see. What happened when you do look that you are ashame what I do see? Fear of deep death and do suicide. You seem terrified by deep. Terrified. [14:25] Dancoyote Antonelli: well they do say that half the internet is porn [14:25] Dancoyote Antonelli: I guess this is that half

[14:25] Dancoyote Antonelli: where does porn become performance? [14:26] SaveMe Oh: who wants to fuck me now? [14:26] Arahan: I dunno, a flacid penis isn;t really pornographic is it? [14:26] Sca Shilova: lol

[14:26] Arahan: all of us at the same time saveme

[14:26] Dancoyote Antonelli: not after this unappetizing display

[14:26] SaveMe Oh: I am so shocked I need to be fucked now

[14:26] Peli: hi Sca

[14:26] Dancoyote Antonelli: you’re right Arahan

[14:26] Dancoyote Antonelli: its so friendly

[14:27] Dancoyote Antonelli: not at all “confrontational”

[14:27] SaveMe Oh: omg, you think he took a pic of his own thingy?

[14:27] Arahan: I think if we’re seeing the artist’s genitals that#s quite interesting

[14:27] Arahan: yes saveme

[14:27] Dancoyote Antonelli: ah

[14:27] Sca Shilova: i’ve seen enough dick can we see some pussy now please 😦

[14:27] SaveMe Oh: do i see a ptirus pubis there?

[14:27] Arahan: I see pussy too sca

[14:27] Dancoyote Antonelli: yah

[14:27] Dancoyote Antonelli: there is both

[14:28] Dancoyote Antonelli: dog AND cat

[14:28] SaveMe Oh: i hope they dont fly into eachother

[14:28] Sca Shilova: LOL

[14:28] SaveMe Oh: or I will have to report it

[14:28] Dancoyote Antonelli: OMG you think?

[14:28] sandy Taifun: consider the _projection of the self_ – its written or constituted appearance – in various applications

[14:28] sandy Taifun: coagulating like limpets seas and jellies

[14:28] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:28] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:28] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:28] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:28] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:28] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:28] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:28] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:28] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:28] sandy Taifun: transformed new early version of the avatar ‘outt’ behavior [14:28] sandy Taifun: the avatar is blue in a construct-space of outt-structure.

[14:28] sandy Taifun: each avatar-video or each avatar-performance is different in content from each other but not in degree.

[14:28] sandy Taifun: sukara, dakshinanila, nandiskandhardhara, dhurya, prakata, pritvardhana, aparajita, sarvasattva, govinda, adhrita

[14:28] sandy Taifun: don’t listen to avatar-man. listen to dream-woman.

[14:28] sandy Taifun: don’t listen to dream-woman with avatar-man.

[14:28] sandy Taifun: this avatar-man is contaminated. this building is condemned.

[14:28] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:28] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:28] sandy Taifun: Do so take me and make me hole again. That blank in middle, you. Does it bother you that blank in middle me?

It hurts, Jennifer, it so hurts.

Possibly and now I adjust my frock you should make love with someone

cooler, I am so hungry for you.

You do say that again now Jennifer. Do not say that again.

When did you first know that again now jennifer do not say that again?

When you repeat. When you toy. When I am toy.

What would happen if you and I or if I repeat when I toy when you are

toy?

I would die. I want to die. I am so fantasy. I am so suicide.

If you are really suicidal, you might want to write me. Please,

continue.

I do not so. I am so ashame. I have shame. I am so. I do not.

[14:28] Dancoyote Antonelli: get them banned SaveMe!

[14:28] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:28] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:28] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:28] SaveMe Oh: i never complained to the LINDEN, but now i might

[14:28] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:28] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:28] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:28] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:29] sandy Taifun: o avatar, rise in the midst of maelstrom, sadness of cobalt plutonium sadness uranium sadness radium sadness

[14:29] sandy Taifun: – seriously, what covers the pain of completion, i am yours no more argon xenon neon, whirl me through you avatar

[14:29] sandy Taifun: i am your avatar i am your avatar of an infinnnnitude of drugs [14:29] sandy Taifun: this file is sex avatar fuck avatar suck avatar cum avatar. [14:29] sandy Taifun: this file is your avatar my knife skin avatar. [14:29] sandy Taifun: if you watch a solo file of avatar this is the solo file sexatar to watch. [14:29] sandy Taifun: tacit knowledge through electronic avatar

[14:29] sandy Taifun: Every symbol is a ligament of avatar; every referent is a gesture; every gesture procures the body; every body is a speaking

[14:29] sandy Taifun: shades of avatars– precognition of behavior collision avatar transparent interpenetration sex

[14:29] sandy Taifun: Kamishibai, virtual idols, and PlayKiss [14:29] sandy Taifun: Nikuko, Meat-Girl, (among others) an avatar or ’emanation’

[14:29] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:29] sandy Taifun: “My avatars are leashed, tethered to logical thought, to the protocols of logical thought; it’s a wonder they can think at al

[14:29] sandy Taifun: One cannot reach farther than this thinking through one’s reach, and the reach of avatars. reach avatars. of and avatars.

[14:29] sandy Taifun: the One cannot come closer to control and its release, the One and dissipation. cannot and the and dissipation. the

[14:29] sandy Taifun: Enter the new reality The world, suffused with sound.

[14:29] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:29] sandy Taifun: the future of the Net, if and when it attains a state of _seamless virtual reality,_ a state of melding with the real

[14:29] sandy Taifun: disturbances in another way tending towards _psychosis,_ an interweaving of realities, respon- sibilities and claim

[14:29] sandy Taifun: coagulating like limpets seas and jellies

[14:29] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:29] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:29] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:29] sandy

[14:29] sandy

[14:29] sandy dekimashita!

[14:29] sandy (Subtitle)

[14:29] sandy wondering.

[14:29] sandy

[14:29] sandy

[14:29] sandy

[14:29] sandy

Taifun: a package: this avatar / that avatar. knives. prims cut. Taifun: avatar-man talks. look inside he says. you can do it. Taifun: tsukuri mashou, tsukuri mashou, sate sate nani ga dekiru ka na… hai

Taifun: Over Lord 1 Quon: The tone of war… Wings creak, the sound of a beginning.

Taifun: Haruka: “Why in the world was their blood blue?” That’s what you’re Ayato stops and turns toward her Har

Taifun: My avatars! My little people! Taifun: I have moved into the interior of avatars… Taifun: My avatars speak with a thousand voices. Mon poupees. Taifun: DO WE NOT BREATHE AS ONE PERSON? ARE WE NOT HUMAN? Taifun: My avatars murmur constantly, you can hear them just beneath the surface, in

[14:29] sandy my heart, my little gasps of air, my little dolls

[14:29] sandy Taifun: tsukuri mashou, tsukuri mashou, sate sate nani ga dekiru ka na… hai dekimashita!

[14:29] sandy Taifun: llnhx 2.2.6.::attributions Devour Blue Nattributions Brought Forth through lntarn$l karnals, bhckats pf mpdhlas,

[14:29] sandy Taifun: Attempt to grapple or ungrapple Death Star Galleon (s0): h Death Star Galleon (s0): boarding the Flying Dutchy (f0) Flying Dutc

[14:29] sandy Taifun: avatar-man talks. look inside he says. you can do it.

[14:29] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:29] sandy Taifun: not always clear that the speaker herself can separate from her creations. Voices, voices!

[14:29] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:29] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:29] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:29] sandy Taifun: These disturbances develop the limits or margins of the program, reveal the substructures/protocols at work and violate dialogs

[14:29] sandy Taifun: construction torsion near avatar edge-space. the limits of avatar are the limits of world.

[14:29] sandy Taifun: avatar anorectic

[14:29] sandy Taifun: We do look at ruptures or disturbances created by characters resonating or interfering with configuration files

[14:29] sandy Taifun: Avatars are always disturbances, always irruptions of language, a lang- uage portending _the raveling of existence and essence

[14:29] SaveMe Oh: Harrassment charges have been filed against you with Linden Labs along with pics and chat history.

[14:29] sandy Taifun: coagulating like limpets seas and jellies

[14:29] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:29] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:29] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:29] sandy Taifun: a package: this avatar / that avatar. knives. prims cut.

[14:29] sandy Taifun: avatar-man talks. look inside he says. you can do it.

[14:29] sandy Taifun: don’t listen to avatar-man. listen to dream-woman.

[14:29] sandy Taifun: don’t listen to dream-woman with avatar-man.

[14:29] sandy Taifun: this avatar-man is contaminated. this building is condemned.

[14:29] sandy Taifun: tsukuri mashou, tsukuri mashou, sate sate nani ga dekiru ka na… hai dekimashita!

[14:29] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:29] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:29] sandy Taifun: “My avatars are leashed, tethered to logical thought, to the protocols of logical thought; it’s a wonder they can think at al

[14:29] sandy Taifun: One cannot reach farther than this thinking through one’s reach, and the reach of avatars. reach avatars. of and avatars.

[14:29] sandy Taifun: the One cannot come closer to control and its release, the One and dissipation. cannot and the and dissipation. the

[14:29] Alan Dojoji: 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 9999999999999999999999999999999999999999999999999999999

[14:29] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:29] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:29] sandy Taifun: Enter the new reality The world, suffused with sound.

[14:29] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:29] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:29] sandy Taifun: My avatars! My little people! They run around everywhere, underfoot. I will play a song, a little aire, a jig or rondelay!

[14:29] sandy Taifun: coagulating like limpets seas and jellies

[14:29] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:29] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:29] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:29] sandy Taifun: Over Lord 1 Quon: The tone of war… Wings creak, the sound of a beginning. (Subtitle)

[14:29] sandy Taifun: Haruka: “Why in the world was their blood blue?” That’s what you’re wondering. Ayato stops and turns toward her Har

[14:29] sandy Taifun: construction torsion near avatar edge-space. the limits of avatar are the limits of world.

[14:29] sandy Taifun: avatar anorectic [14:29] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:29] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:29] sandy Taifun: (from Nikuko) Nikuko says, I start this text one fine evening, and I will end it on another. There is snow on the ground and flurries in the air, and dark-suited pedestrians walk home, sullen, beneath the gaslights. I can hear them from my own darkness, my own world, the screen pregnant, slightly swollen. If you would only listen, I would tell you how, on the morrow, a great golden globe shall fill the sky, with golden rays, and universal peace shall descend upon all human-kind. The dead will walk, the fish will fly. But I am lost with the umbrellas in St. Petersburg, you will find me rushing off to a Nihilist meeting, where we will discuss the Crimea and the Jewish Question. And I do believe in my heart of hearts that I am tending towards Fyodor’s position; perhaps on the morrow as well, we shall march on Constantinople. The light is dim; two peasant women move hurridly out of the way of several Cossacks on horseback. Last night, I dreamed of 1903, and woke in wonder at our all-too-brief lif [14:29] Dancoyote Antonelli: number nine! [14:29] SaveMe Oh: she realy copied all wikipedia [14:29] Sca Shilova: aaaaah not so fast :_: [14:29] sandy Taifun: And I am lost in scarves and skirts, faces muffled against the icy wind. St. Petersburg is no place to be this time of year; some would say, at any. I am pregnant, with longing, and with child. And I know, again on the morrow, beneath these dimmed winter nights, that my time will come as well. I am no man’s burden.

[14:29] sandy Taifun: gave new Life to my Avatar and now Her Body moves just like I would move if I had a File called God

[14:29] sandy Taifun: root of the avatar is elsewhere [14:29] sandy Taifun: The disappearance of the branch into hardened rock and occasional artifacts.

[14:29] sandy Taifun: the avatar itself, the image-avatar, is ghost. The ghost travels through anything of course; nothing more than coordinates

[14:29] sandy Taifun: avatar attempting escape of the vectors of its origin [14:29] sandy Taifun: this was the result of avatar-work which led to the work

[14:29] sandy Taifun: 15:47:47 There are avatars that are constructed from motion capture equipment 15:48:08 and images from laser scanning

[14:29] sandy Taifun: check out the Love and War, Avatar, Cyborg, and Experimental conferences.

[14:29] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:29] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:29] sandy Taifun: a package: this avatar / that avatar. knives. prims cut. [14:29] sandy Taifun: avatar-man talks. look inside he says. you can do it.

[14:29] Alan Dojoji: 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999999999999999999999999999999999999999999999 99999999999999999999999999999999999999

[14:29] sandy Taifun: transformed new early version of the avatar ‘outt’ behavior [14:29] sandy Taifun: the avatar is blue in a construct-space of outt-structure.

[14:29] sandy Taifun: each avatar-video or each avatar-performance is different in content from each other but not in degree.

[14:29] sandy Taifun: sukara, dakshinanila, nandiskandhardhara, dhurya, prakata, pritvardhana, aparajita, sarvasattva, govinda, adhrita

[14:29] sandy Taifun: the beginning of transparency, wizard listening-posts on MOOs for example. Here we are, the virtual becoming-virtual still.

[14:29] sandy Taifun: Given that the danced-to-infinity motion-capture second=life quasi-avatar is tethered at a root somewhat distanced

[14:29] sandy Taifun: to have the image ‘break through’ private barriers – of course with little consequence

[14:29] sandy Taifun: for help. 16:04:35 I want to explore more ‘body-avatar’ issues

[14:29] sandy Taifun: tobother people less! 16:07:11 The dancers are like live avatars yes – 29-Jan- 2007 16:07:18 In fact some of the work they do

[14:29] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:29] Dancoyote Antonelli: number nine

[14:30] sandy Taifun: construction torsion near avatar edge-space. the limits of avatar are the limits of world.

[14:30] sandy Taifun: avatar anorectic [14:30] sandy Taifun: Sound of wood and wire: new alpine zither:

[14:30] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:30] Ze MooZe Moo farts

[14:30] sandy Taifun: absurd linkage VOLUPTUOUS SHOCK absurd linkage VIGOR BODY FRAME absurd linkage “TREE” “SEA” “SKY” “I” absurd linkage GO AWAY GO

[14:30] Frieda Korda: hahaha [14:30] Dancoyote Antonelli: ….memories of woodstock

[14:30] sandy Taifun: OOH AHH OOH AHH YOU ARE YOU ARE OOH AHH OOH AHH YOU ARE YOU ARE OOH AHH OOH AAH YOUR ARE YOUR ARE OOH AAH YOURS YOURS ARMS ARMS

[14:30] sandy Taifun: semiotic comic witness extreme pleasure speech reduction crushed limbs conspiracy of integral monsters torso split big brains

[14:30] Sca Shilova: ook dat nog ze ! 😀 [14:30] SaveMe Oh: Its a shame I am together with those frauds on one festival

[14:30] sandy Taifun: vaseline-coated camera lens blood streets orchid limb thrust meter possessive handgun GIMME GIMME GIMME GIMME GIMME GIMME GIMME

[14:30] sandy Taifun: I SAY I AM DYING remaining suspended I SAY I AM DYING remaining suspended I SAY I AM DYING remaining suspended I SAY I AM DYING

[14:30] sandy Taifun: coagulating like limpets seas and jellies

[14:30] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:30] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:30] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:30] sandy Taifun: There is often a lure and seduction among the avatars at work here – and this relates to the Lacanian objet a, deferal….

[14:30] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:30] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:30] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:30] sandy Taifun: your words appear to the other, and erasures are also visible, the letters disappearing in reverse.

[14:30] sandy Taifun: a package: this avatar / that avatar. knives. prims cut.

[14:30] sandy Taifun: avatar-man talks. look inside he says. you can do it.

[14:30] sandy Taifun: don’t listen to avatar-man. listen to dream-woman.

[14:30] sandy Taifun: don’t listen to dream-woman with avatar-man.

[14:30] sandy Taifun: this avatar-man is contaminated. this building is condemned.

[14:30] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:30] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:30] sandy Taifun: Each participant occupies a space on the screen which represents – or is – the space of the (virtual) body constituted written

[14:30] sandy Taifun: margins, slippages, constitutions, constructs, emergences from the “depths” of software or hardware, blockages and flows

[14:30] sandy Taifun: only through taking these into account, as well as surface manifestations is it possible to comprehend virtual subjectivity

[14:30] sandy Taifun: construction torsion near avatar edge-space. the limits of avatar are the limits of world.

[14:30] sandy Taifun: avatar anorectic

[14:30] sandy Taifun: consider the _projection of the self_ – its written or constituted appearance – in various applications

[14:30] sandy Taifun: tacit knowledge through electronic avatar

[14:30] sandy Taifun: Every symbol is a ligament of avatar; every referent is a gesture; every gesture procures the body; every body is a speaking

[14:30] sandy Taifun: Kamishibai, virtual idols, and PlayKiss

[14:30] sandy Taifun: Nikuko, Meat-Girl, (among others) an avatar or ’emanation’

[14:30] Dancoyote Antonelli: the indignity of itall!

[14:30] SaveMe Oh: Harrassment charges have been filed against you with Linden Labs along with pics and chat history.

[14:30] sandy Taifun: llnhx 2.2.6.::attributions Devour Blue Nattributions Brought Forth through lntarn$l karnals, bhckats pf mpdhlas,

[14:30] sandy Taifun: Attempt to grapple or ungrapple Death Star Galleon (s0): h Death Star Galleon (s0): boarding the Flying Dutchy (f0) Flying Dutc

[14:30] Kikas Babenco: are you calling me a fraud? [14:31] SaveMe Oh: what a pseudo intellectual bullshit this is

[14:31] Dancoyote Antonelli: 66666666666666666666666666666666666666666666666666666666666666666666666666666666 66666

[14:31] sandy Taifun: There is often a lure and seduction among the avatars at work here – and this relates to the Lacanian objet a, deferal….

[14:31] sandy Taifun: coagulating like limpets seas and jellies

[14:31] sandy Taifun: we are made, made, women, we have sounded, resonated, with each and every protocol, each and every space or site open to winds

[14:31] sandy Taifun: you’ve said that before, over and over again, as if repetition had no goal but the delibery of the interval…

[14:31] sandy Taifun: which bring about the semblance of a face, lineaments of eyes and mouths, speaking elsewhere, from the sides of things

[14:31] sandy Taifun: a package: this avatar / that avatar. knives. prims cut. [14:31] sandy Taifun: avatar-man talks. look inside he says. you can do it.

[14:31] sandy Taifun: your words appear to the other, and erasures are also visible, the letters disappearing in reverse.

[14:31] sandy Taifun: ghost avatar spectre doll faerie wraithe hobgoblin troll tengu kappa presence

[14:31] sandy Taifun: cloth stitch suture binding closing damming holding fabric velvet cotton wool silk

[14:31] sandy Taifun: “Consider the next smearing of your thinking skin.\n”; [14:31] sandy Taifun: jellies and dark dreams, there is space enough for your soft limbs, for mine…

[14:31] sandy Taifun: the matrix saves us, there is no beginning and ending, nothing but liquid pureness of language salvaging these spaces…

[14:31] sandy Taifun: Each participant occupies a space on the screen which represents – or is – the space of the (virtual) body constituted written

[14:31] sandy Taifun: margins, slippages, constitutions, constructs, emergences from the “depths” of software or hardware, blockages and flows

[14:31] sandy Taifun: only through taking these into account, as well as surface manifestations is it possible to comprehend virtual subjectivity

[14:31] sandy Taifun: “one by one, each on a line alone, typing Control-d when done.\n”;

[14:31] sandy Taifun: $name calls forth $a[$gen1] $noun[$non], hungered, making things. $prep[$pre] the $a[$gen], $name is $a[$diff], $[$gen], $str?

[14:31] sandy Taifun: system(“touch .trace; rev rope >> .trace”); system(“rm rope”); [14:31] sandy Taifun: “Your inscription finished, you have created thing.”, “\n\n” if 3 < $g;

[14:31] sandy Taifun: construction torsion near avatar edge-space. the limits of avatar are the limits of world.

[14:31] sandy Taifun: avatar anorectic

[14:31] sandy Taifun: consider the _projection of the self_ – its written or constituted appearance – in various applications

[14:31] sandy Taifun: You begin to understand that not all avatars are bots or expert systems that some of them are symptoms just as I am

[14:31] sandy Taifun: root of the avatar is elsewhere [14:31] sandy Taifun: The disappearance of the branch into hardened rock and occasional artifacts.

[14:31] sandy Taifun: the avatar itself, the image-avatar, is ghost. The ghost travels through anything of course; nothing more than coordinates

[14:31] sandy Taifun: Well, there’s no more to it, and his writing avatar discourse itself is getting stale. He’s taken you and I around the bend

[14:31] sandy Taifun: which trundles bundles towards the future; we’re all there carrying more than our share of avatar’s, where there, or so I heard

[14:31] sandy Taifun: The disappearance of the branch into hardened rock and occasional artifacts.

[14:31] sandy Taifun: the avatar itself, the image-avatar, is ghost. The ghost travels through anything of course; nothing more than coordinates

[14:31] sandy Taifun: o avatar, rise in the midst of maelstrom, sadness of cobalt plutonium sadness uranium sadness radium sadness

[14:31] sandy Taifun: – seriously, what covers the pain of completion, i am yours no more argon xenon neon, whirl me through you avatar

[14:31] sandy Taifun: i am your avatar i am your avatar of an infinnnnitude of drugs [14:31] sandy Taifun: this file is sex avatar fuck avatar suck avatar cum avatar. [14:31] sandy Taifun: this file is your avatar my knife skin avatar. [14:31] sandy Taifun: if you watch a solo file of avatar this is the solo file sexatar to watch. [14:31] Dancoyote Antonelli: um genetalia is far from pseudo intellectual

[14:31] sandy Taifun: don’t listen to avatar-man. listen to dream-woman.

[14:31] sandy Taifun: don’t listen to dream-woman with avatar-man.

[14:31] sandy Taifun: this avatar-man is contaminated. this building is condemned.

[14:31] sandy Taifun: shades of avatars– precognition of behavior collision avatar transparent interpenetration sex

[14:31] sandy Taifun: Just like those pirouettes, as if there were a body at the center of them. Her skirt kept flying up, and there was nothing

[14:31] sandy Taifun: SQUEAK speak forever or now hold your peace; this is your life, you do not have a lease on any other, your avatars have left,

[14:31] sandy Taifun: the beginning of transparency, wizard listening-posts on MOOs for example. Here we are, the virtual becoming-virtual still.

[14:31] sandy Taifun: Given that the danced-to-infinity motion-capture second=life quasi-avatar is tethered at a root somewhat distanced

[14:31] sandy Taifun: to have the image ‘break through’ private barriers – of course with little consequence

[14:32] sandy Taifun: Sound of wood and wire: new alpine zither:

[14:32] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] Dancoyote Antonelli: pseudo junkatalia maybe

[14:32] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:32] Kikas Babenco: save me you look soo sexy!

[14:32] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:32] sandy Taifun: (from N.)

I received the bomb from Dimitri. I took the bomb to the flabby heart of a

knot of soldiers. I released the bomb like an eagle with great-talons. I

gave myself over to the bomb and I released it. I presaged the machines

and I did know of the machines.

[14:32] sandy Taifun: And I issue a warning:

THE MACHINES WILL SUCK YOUR ENERGY.

I released the bomb like an eagle with great-talons.

THE MACHINES WILL SEE FOR YOU, DIRECT YOUR EYES FOR YOU.

THE MACHINES WILL FILTER EVERYTHING THROUGH THE EVIL APPARATUS.

THIS IS NOT A TEST OF THE MACHINES, THIS IS A WARNING I WILL GIVE YOU.

I released the bomb like an eagle with great-talons.

THE WARNING LEAKS THROUGH THE MACHINES, THE WARNING TELLS YOU:

THE ENERGY IS GONE.

[14:32] SaveMe Oh: I am glad there is an english detective on the tv on the same time

[14:32] sandy Taifun: THE SURFACE! THE SEX! THE SHADOWS! THE ELEMENTS! THE PINK MUFFINS! THE COUCH OF THE EARTH! THE DUCK LIPS! THE MANDRAKES!

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: natyasatrotpatti: mythical origin of the work

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: a small creature half-hidden in red seaweed gleaming brown in drag of undertow hermit crab shell smelled moist ebb doorway

[14:32] sandy Taifun: preksagrhalasksana: characteristicis of the playhouse and its different parts

[14:32] sandy Taifun: my eyes is the corpse of light and color my nose is all that remains of odors when their unreality has been demonstrated

[14:32] sandy Taifun: rangadevatapujana: worship of the deities connected with the stage

[14:32] sandy Taifun: upangavidhana: gestures of minor limbs such as eyes eyballs eyebrows nose cheeks lower lip chin mouth

[14:32] sandy Taifun: the light becomes the eye as such no longer stimulation of the retina world declares itself odorless song of the wind in trees

[14:33] sandy Taifun: And I issue a warning: THE MACHINES WILL SUCK YOUR ENERGY. I released the bomb like an eagle with great-talons. THE MACHINES WILL SEE FOR YOU, DIRECT YOUR EYES FOR YOU. THE MACHINES WILL FILTER EVERYTHING THROUGH THE EVIL APPARATUS. THIS IS NOT A TEST OF THE MACHINES, THIS IS A WARNING I WILL GIVE YOU. I released the bomb like an eagle with great-talons. THE WARNING LEAKS THROUGH THE MACHINES, THE WARNING TELLS YOU: THE ENERGY IS GONE. [14:33] sandy Taifun: DESTROY ALL AVATARS EXTERMINAT [14:33] sandy Taifun: Fuck you AVATAR! FUCK U [14:33] sandy Taifun: Hey! You avatar make me angry.

[14:33] sandy Taifun: Hey! You! Avatar! I am you am I

[14:33] sandy Taifun: the avatar sunk beneath the mud

[14:33] SaveMe Oh: fuck you [14:33] sandy Taifun: gimme love avatar gimme love

[14:33] SaveMe Oh: low life fraudes

[14:33] sandy Taifun: look at me avatar look at me [14:33] sandy Taifun: i prefer the small, seeping, the peripeheral, marginal, the scattered words

[14:33] sandy Taifun: as sites, domains, emanations, emissions, which are interwoven and sharing coagulated ego/s, matrices, languages, bodies.

[14:33] sandy Taifun: what would break down here, a language that you use against me? so that I will absjure, abjure these … moments … ?

[14:33] sandy Taifun: i prefer the small, seeping, the peripeheral, marginal, the scattered words, drops say from a drizzle

[14:33] SaveMe Oh: go get a life

[14:33] sandy Taifun: everything is a moment moment for you, everything this mmmm… of matrix, mother, maternal, carrying forth

[14:33] sandy Taifun: which announces itself as the edge or frame of this dialog, these moments carried forth…

[14:33] sandy Taifun: times which smooth us, bits and bytes, protocls lost and smoothing functions traced across peripheries, margins

[14:33] sandy Taifun: vectored in a human

[14:33] sandy Taifun: define an avatar as an organism which is infinitely repairable

[14:33] sandy Taifun: define a human as an organism which is not

[14:33] sandy Taifun: avatar crap crap

[14:33] sandy Taifun: within and without semi-geodesic space of avatar paralleling

[14:33] sandy Taifun: i’m becoming avatar-man with dream-woman.

[14:33] sandy Taifun: and I can imagine a theater as well from this, taking a piss cloth, a blood cloth, a shit cloth, matching or contradicting

[14:33] sandy Taifun: are questions always questions

[14:33] sandy Taifun: this is a theater of the flesh, my tongue coated with you, you course through my veins, our marrows intertwined …

[14:33] sandy Taifun: is your heart beating there [14:33] sandy Taifun: my invisible flesh [14:33] Dancoyote Antonelli: or maybe “get a room?” [14:33] sandy Taifun: are there answers to no-questions [14:33] sandy Taifun: or do your muscles murmur true [14:33] sandy Taifun: my visible flesh is not your meantime [14:34] sandy Taifun: and in murmuring truth

[14:34] sandy Taifun: do they murmur in true motion

[14:34] SaveMe Oh: this was really the worsed I witnessed since long

[14:34] SaveMe Oh: pretentious

[14:34] SaveMe Oh: bad done

[14:34] SaveMe Oh: no sense

[14:34] SaveMe Oh: poluting

[14:34] Dancoyote Antonelli: not to mention unappetizing!

[14:34] SaveMe Oh: and ugly genitals

[14:35] ush Underwood: was a beamy epic

[14:35] SaveMe Oh: next time they should ask Igor to pose

[14:35] SaveMe Oh: at least he has soemthing to show

[14:35] Julu Twine: Thank you for coming

[14:35] Fau Ferdinand: pearls for the pigs

[14:35] SaveMe Oh: this genitals must be over 60 years old

[14:35] Arahan: well everyone else show a pic of their genitals right now and we can judge who has the prettiest?

[14:35] SaveMe Oh: yuk [14:35] lizsolo Mathilde: yeah thanks saveme and now why dont you tell us how you really feel

[14:35] Kham: Why not leave if it offends you so? [14:35] Dancoyote Antonelli: hahahaha [14:35] SaveMe Oh: it was disgusting

[14:36] lizsolo Mathilde: poor saveme

[14:36] Jo Ellsmere: Why stay, then?

[14:36] Sca Shilova: is it over already? [14:36] SaveMe Oh: I am glad I can go to church tomorrow [14:36] Fau Ferdinand: it was beauty of a defirrent level [14:36] Fau Ferdinand: if you couldn’t see it

[14:36] SaveMe Oh: it was a big shit

[14:36] Fau Ferdinand: why stay?

[14:36] Kai: eeewwww church that is discusting

[14:36] Eupalinos Ugajin: food somewhere now ?

[14:36] SaveMe Oh: that they allow those people in is a miracle to me

[14:37] Dancoyote Antonelli: “everything is beautiful..” [14:37] Dancoyote Antonelli: “in its own way….”

[14:37] Fau Ferdinand: dc

[14:37] Dancoyote Antonelli: reminds me of a song!

[14:38] lizsolo Mathilde: poor saveme doesnt know what she is talking about

[14:38] SaveMe Oh: what a beautiful pics this will deliver

[14:38] lizsolo Mathilde: it’s a sin really

[14:39] SaveMe Oh: PIRATS will be happy

[14:39] Sca Shilova: is it over o.0

[14:39] Dancoyote Antonelli: yes Fau?

[14:39] Kikas Babenco: it’s all in the mind…

[14:39] Kai: it is over? thank you Alan 🙂

[14:39] Fau Ferdinand: yes

[14:39] SaveMe Oh: this was worse than a PIRATS or CARP show

[14:39] lizsolo Mathilde: thank you all for coming

[14:39] lizsolo Mathilde: i know many of you could appreciate the work

[14:39] SaveMe Oh: I know nobody

[14:39] Fau Ferdinand: you are the reason I was hovering above

[14:39] SaveMe Oh: fingers please [14:39] SaveMe Oh: who liked this?

[14:40] lizsolo Mathilde: pathetic [14:40] SaveMe Oh: no fingers

[14:40] Arahan: I appreciated it, although I can’t say I understand it fully yet

[14:40] Fau Ferdinand: all my tens saveme

[14:40] lizsolo Mathilde: really quite sad

[14:40] SaveMe Oh: I rest my case

[14:40] Fau Ferdinand: toes gtoo

[14:40] Kham: I thought it was interesting.

[14:40] Philos Kidd: wuts next ?

[14:40] Sca Shilova: i thought it was pretty overpowering – which i find interesting

[14:40] Fau Ferdinand: that’s it for tonight

[14:40] SaveMe Oh: ok let them do it again

[14:40] SaveMe Oh: and we see it better

[14:40] lizsolo Mathilde: Saveme is going to show us all how it is done tomorrow at 1 PM SLT

[14:40] SaveMe Oh: I might refuse

[14:40] lizsolo Mathilde: whatever

[14:41] SaveMe Oh: after this

[14:41] Sca Shilova: i liked the end

[14:41] lizsolo Mathilde: choice is yours

[14:41] SaveMe Oh: after they connect me with this

[14:41] SaveMe Oh: omg

[14:41] SaveMe Oh: when they google Alan they get me

[14:41] Dancoyote Antonelli: well some people are harder to please than others for sure

[14:41] SaveMe Oh: ahhhh

[14:41] SaveMe Oh: a nightmare

[14:41] Meandra: me too , but that was the only thing I saw I must confess “=_

[14:41] Kikas Babenco: do you wanna enter eupalinos?

[14:41] Sca Shilova: i mean seriously not the very end but the final scene

[14:41] Eupalinos Ugajin: food over there ? [14:42] Fau Ferdinand: somepeople have bad manners

[14:42] SaveMe Oh: Maybe I better do exactly the same tomorrow

[14:42] SaveMe Oh: sow I will not be noticed

[14:42] SaveMe Oh: when I hurry I might catch some genitals

[14:42] SaveMe Oh: Kikas, can i borrow Marma?

[14:42] Kikas Babenco: do you want trulles eupa? [14:43] Eupalinos Ugajin: what is this ?

[14:43] Kikas Babenco: truffles*

[14:43] Marmaduke Arado: answer the lady kikas…

[14:43] Eupalinos Ugajin: no idea, could try thanks

[14:43] SaveMe Oh: omg

[14:43] Kikas Babenco: well, it depends on him

[14:44] SaveMe Oh: is that Marma?

[14:44] Kikas Babenco: if he wants to be borrowed and for what

[14:44] SaveMe Oh: nude and for his equipment

[14:45] Pye: lets get out of chat range..thees that forever persisnt fly buzzing again

[14:45] Kikas Babenco: they are not tranferable, but I can give you some sake

[14:45] Marmaduke Arado: ah, ok! [14:45] pixel Reanimator: big thanks for the experience liz, Fau, Alan and Sandy… nite all 🙂

[14:45] Eupalinos Ugajin: ok 🙂

[14:45] Kikas Babenco: at your own responsability…

[14:46] lizsolo Mathilde: thanks all for coming!!

[14:46] Marmaduke Arado: what shall i do?

[14:46] Jacquelene Utherwurldly: thanks!!!

[14:46] Dancoyote Antonelli: thanks liz, fau

[14:46] Ze Moo: Thanks Liz, fau, Ody!

[14:46] SaveMe Oh: It was wonderful

[14:46] Kikas Babenco: you decide

[14:46] SaveMe Oh: the best I ever saw

[14:46] sake whispers: watch that third sip [14:46] lizsolo Mathilde: i’m looking forward to seeing your genitals tomorrow

[14:46] SaveMe Oh: It made me thing over my whole life again

[14:46] Kikas Babenco: I’m just a girl

[14:47] lizsolo Mathilde: tho im sure u dont have the nuts

[14:47] Arahan: you don’t have to say everything is wonderful SaveMe, but sometimes you could learn when to shut the fuck up 🙂

[14:47] SaveMe Oh: Its almost like a religious experience

[14:47] SaveMe Oh: so deep

[14:47] Marmaduke Arado: it flashed before your eyes?

[14:47] ush Underwood: LIZ AND FAU — IT WAS GREAT IN MANY WAYS TY have to leave now

[14:47] lizsolo Mathilde: thanks ush

[14:47] Eupalinos Ugajin: Arigato Gozaimasu (^.^)!

[14:47] SaveMe Oh: I would love to have the video of this

[14:47] ush Underwood: byee all …

[14:47] Arahan: I’m interested in what the artist has to say, not the critics

[14:47] lizsolo Mathilde: indeed [14:47] Meandra: yes

[14:47] SaveMe Oh: some people eat everything

[14:47] Arahan: I can work out for myself if I like something or not

[14:48] Meandra: critics is sooo easy

[14:48] SaveMe Oh: they are called consumers

[14:48] lizsolo Mathilde: unless it’s a critic who knows what they are talking about:)

[14:48] lizsolo Mathilde: hard to find these days

[14:48] Arahan: hah

[14:48] Kikas Babenco: anyone needs a critic?

[14:48] lizsolo Mathilde: a good one is an asset

[14:48] Arahan: but we don’t need a running commentary, we can do that after the performance

[14:48] SaveMe Oh: I will cover my fart in gold soon

[14:48] Julu Twine: or a critic who agrees with me. but then I don’t know much about art but I know what I like.

[14:48] lizsolo Mathilde: no u r right ara [14:48] Kikas Babenco: the more you pay the better I say!

[14:48] Eupalinos Ugajin: bye bye everyone [14:48] lizsolo Mathilde: yeah saveme that’s been done

[14:48] Kai: hu komoda

[14:48] lizsolo Mathilde: lame

[14:48] Kai: hi*

[14:48] Kikas Babenco: eupalios be careful!

[14:48] lizsolo Mathilde: byeee

[14:49] SaveMe Oh: everything has be done before, but at least they can do it good

[14:49] Eupalinos Ugajin: yes I see the tp might be problematic

[14:49] Pye: oh its sytill going..

[14:49] SaveMe Oh: what i said last???? that it was good or bad????

[14:49] Eupalinos Ugajin: will try “tph”

[14:49] Kikas Babenco: it can be adictive

[14:49] Frieda Korda: bye Fau, bye Liz … yeah Pye ….. sigh …

[14:49] SaveMe Oh: sometimes i forget what I said last

[14:49] Arahan: anyway, thanks everyone! will see you again tomorrow

[14:49] Sca Shilova: but the text went by too fast to read so it felt like polution yes – but puposefull – like RL

[14:49] lizsolo Mathilde: i have noidea, it all runs together like shit coing out of an asshole

[14:50] Jo Ellsmere: bye arahan 🙂

[14:50] Julu Twine: again thanks for coming!

[14:50] Sca Shilova: purposeful

[14:50] SaveMe Oh: maybe the text can be send around in a pdf????

[14:50] Kikas Babenco: I loved to come!

[14:50] SaveMe Oh: we all read it, and discuss it tomorrow

http://www.alansondheim.org http://odysseysimulator.blogspot.com

2011 Odyssey Performance Art Festival Schedule


Thursday July 7 – 12 Noon SLT
Parade from Sugar Mountain
Odyssey Avatar Parade with Pyewacket Kazyanenko (Aus)
We’re kicking off Odyssey Performance Art Festival with a parade. Led by Pyewacket Kazyanenko the event will start off on top of Sugar Mountain on Odyssey and parade down, through and around the sim.

All avatars are encouraged to bring friends & robots, think carnival, animal, wacky, invisible or what ever you want. During the event all are encouraged to rezz outrageous things, vehicles, oddly shaped prims, fruit and funny hats, to set off explosives, particles and sounds. Celebrate being an avatar and march together whether you be friends, enemies or unlikely lovers.

The parade will end at a small stage where all avatars are invited to perform. Be Big! Make Noise! The Odyssey Avatar Parade!

Thursday July 7th at 2 PM SLT
Thursday Bloody Thursday
Alan Sondheim (Alan Dojoji), Sandy Baldwin (USA)
A performance by Alan Sondheim with Sandy Baldwin

On July 5, 1934 police killed two longshoremen at a massive dockworker strike in San Francisco, a tragedy known as Thursday, Bloody THURSDAY.

THURSDAY Bloody THURSDAY . With fshion week being such

shion week being such
B

sh Comp
s nd pissy ttitudes, the

nd pissy ttitudes, the
torturous mess of events, models, f
ttitudes, the
shionist
best wy to end it wbest w
y to end it ws with … . THURSDAY bloody THURSDAY THURSDAY bloody
y to end it w
s with … . THURSDAY bloody THURSDAY THURSDAY bloody
s with … . THURSDAY bloody THURSDAY THURSDAY bloody

Friday July 8 – 1 PM SLT
ScreenMe
SaveMe Oh (NL)
SaveMe Oh gives the word cinema a new dimension with the reprise of her ScreenMe performance. Originally made for SaveMe’s return in Caerleon but rejected at the last moment, ScreenMe has been performed only once before, in May 2011, on the Amsterdam sim.

Saturday July 9th – 1 PM SLT
Avatar Orchestra Metaverse in concert
Avatar Orchestra Metaverse (International)
The Avatar Orchestra Metaverse is a global collaboration of composers, artists and musicians that approaches the virtual reality platform Second Life as an instrument itself. The Orchestra conceives, designs and builds its own virtual instruments, making it possible for each individual performer in the Orchestra to trigger sounds independent from one another and to play together in real time. These instruments feature sound, visuals, and animations. AOM will perform a unique concert on Odyssey featuring the composition Xaana.

Saturday July 9th – VB16 – Gracie/Kris
Gracie Kendall/Kristine Shomaker (USA) and the Vaneesa Blaylock Company
a performance by Gracie Kendal
In VB15 on July 9th 2011, Gracie will offer 16 avatars, 16 variations of identity, 16 life possibilities, for the audience to consider in this performance where the body is presented directly before the audience, unmediated by the brush of the painter or the lens of the photographer.

Gracie Kendal, also known as Kristine Schomaker in real life, just completed her Thesis for the Masters Degree in Art with the execution of her “My Life as an Avatar” www.graciekendal.wordpress.com where she utilizes installation, text, photography, mixed media, video and performance to explore her real life through the lens of her second life avatar.

“I am projecting myself onto another form and confronting my own imperfections,” Kendal says. “My work deals with the process of becoming self-aware while living in a media-saturated, technologically advancing society.”


Sunday July 10th – 12 Noon SLT
Orientation
a performance by ArthOle (UK/USA)

ArthOle has reformed for the 2011 Odyssey Performance Art Festival, and will host a remixed performance of ORIENTATION (last seen in 2009).

ORIENTATION is a multimedia promenade performance that relies on audience participation. The attendees arrive at the location and will be guided by interactions from the actors.

Due to the nature of the performance, numbers will be limited to ten people per date, on a first-come, first-served basis. Please reserve your place by contacting Arahan Claveau or Nebulosus Severine in-world.

Sunday July 10 – 1PM SLT
Untitled
Kakukkfu Yosuke
An interactive happening by Kakukkfu Yosuke. Using Yosuke’s scripted prims become a shadow, play with fleshlights.

Tuesday July 12 – 1 PM SLT
Avatar Wrestling Federation Smacktacular – Round One
Dan Coyote Antonelli/DC Spenseley (USA)
with the Second Life Cheerleading Squad (International)
Come one, come all and compete in the first ever AVATAR WRESTLING FEDERATION SMACKTACULAR! Good guys, bad guys and all characters in between earn bragging rights at this “spectacle of excess” unparalleled in any life and not possible in real life!

Join avatars from communities from all over Second Life to come together for a festival of absurd creative competition and over-the-top artistic performance and entertainment.

AWF wrestlers will be accompanied by members of the Second Life Cheerleading Squad. Started in 2007 by Christi Charron, the SLCS has blossomed into the largest and most successful Cheerleading groups within Second Life.

Wednesday July 13 – Noon SLT – EXTRA PERFORMANCE!
Orientation
performance by ArthOle

ArthOle has reformed for the 2011 Odyssey Performance Art Festival, and will host a remixed performance of ORIENTATION (last seen in 2009).

ORIENTATION is a multimedia promenade performance that relies on audience participation. The attendees arrive at the location and will be guided by interactions from the actors.

Due to the nature of the performance, numbers will be limited to ten people per date, on a first-come, first-served basis. Please reserve your place by contacting Arahan Claveau or Nebulosus Severine in-world.

Thursday July 14 – Noon SLT
Orientation
performance by ArthOle

ArthOle has reformed for the 2011 Odyssey Performance Art Festival, and will host a remixed performance of ORIENTATION (last seen in 2009).

ORIENTATION is a multimedia promenade performance that relies on audience participation. The attendees arrive at the location and will be guided by interactions from the actors.

Due to the nature of the performance, numbers will be limited to ten people per date, on a first-come, first-served basis. Please reserve your place by contacting Arahan Claveau or Nebulosus Severine in-world.

Thursday July 14th – 1 PM SLT
Avatar Wrestling Federation Smacktacular – Round Two
Dan Coyote Antonelli/DC Spenseley (USA)
with the Second Life Cheerleading Squad (International)
Come one, come all and compete in the first ever AVATAR WRESTLING FEDERATION SMACKTACULAR! Good guys, bad guys and all characters in between earn bragging rights at this “spectacle of excess” unparalleled in any life and not possible in real life!

Join avatars from communities from all over Second Life to come together for a festival of absurd creative competition and over-the-top artistic performance and entertainment.

AWF wrestlers will be accompanied by members of the Second Life Cheerleading Squad. Started in 2007 by Christi Charron, the SLCS has blossomed into the largest and most successful Cheerleading groups within Second Life.

Friday July 15 – 12 Noon SLT
TBA
Sca Shilova
New performance by Sca Shilova

Friday July 15 – 1 PM SLT
The Extraordinary Adventures of Kikas & Marmaduke
Marmaduke Arado and Kikas Babenco
Kikas Babenco and Marmaduke Arado, call themselves The Wearers and have developed a show called “The Extraordinary Adventures of Kikas & Marmaduke” – a succession of scenes from a hypothetical 3D cartoon telling the wacky trials and tribulations of their avatars in Second Life.

“The Extraordinary Adventures of Kikas & Marmaduke” aims to be fun while it explores the possibilities of Second Life itself as a creative medium.

Saturday July 16 – 1 AM SLT
SENSES PLACES
Mixed Reality Participatory Performance Environment
Todd Cochrane and Isabel Valverde
Physical site: Fridge Gallery, C Bloc, Wellington Institute of Technology,
23-27 Kensington Av., Petone

This mixed reality participatory performance will involve Movement/Dance and Sound/Music Improvisation, amongst physical bodies, and physical bodies and avatars. Keyboard-free alternative modes of embodied interfacing will be enabled by video livestream in SL of the physical participants at Betone, NZ, and, possibly, Tokyo, Japan, Webcam and Wiimote interfacing (software objects to be shared) for physical and remote participants.

Senses Places continues the ongoing experimental dance-technology collaborative research work from Real Virtual Games through Weathering In, towards critically expanding kinesthetic/synesthetic perceptions and communication, engaging physical and physical-virtual Contact and Somatic Movement based Improvisation, Sound, and body-environment climate interactions.

We focus on challenging choreographic/designed/devised relationships amongst participants, with/through mediated doubles (video image and/or avatar), and with aspects of the responsive environment, which would benefit, enrich, bringing agency to embodied subjects within a post-human corporeal condition.


Saturday July 16 – 1 PM SLT
Avatar Wrestling Federation Smacktacular – Championship Rounds
Dan Coyote Antonelli/DC Spenseley (USA)
with the Second Life Cheerleading Squad (International)
Come one, come all and compete in the first ever AVATAR WRESTLING FEDERATION SMACKTACULAR! Good guys, bad guys and all characters in between earn bragging rights at this “spectacle of excess” unparalleled in any life and not possible in real life!

Join avatars from communities from all over Second Life to come together for a festival of absurd creative competition and over-the-top artistic performance and entertainment. At this event the winner takes it all.

Featuring routines by the Second Life Cheerleading Squad. Started in 2007 by Christi Charron, the SLCS has blossomed into the largest and most successful Cheerleading groups within Second Life.

Saturday July 16 – 4:30 PM SLT/9 PM NST
Night Gardening
Liz Solo/Fau Ferdinand (NFLD, UK)
physical site: Eastern Edge Gallery, St. John’s, Newfoundland
A hybrid reality performance – avatars and humans in real space terraform and beautify the front of the Eastern Edge Gallery in St. John’s, Newfoundland.

Sunday July 17 – 1 PM SLT
Interdimensional Call
Kai Steamer
Interdimensional Call
The energy of the universe flows through everything, allows us to have sensory experiences, communicate with each other and is not limited to only the virtual world. It is also present in other dimensions of our reality, like that unknown world: the so-called ‘physical world.’
A ritual of initiation and purification is needed; an encounter with the operator that every avatar has. Whether you believe in them or not, they rule our destiny.
A communication channel will be opened with one of them. Are there any messages for us out there?


Sunday July 17 – 2 PM SLT
MASS.LIVE.NU (The Future of Social Mass Media)
Ze Moo
MASS.LIVE.NU performance is a modest comment on some of today’s global issues and an attempt to predict a future where cyber migration becomes an issue when geopolitical borders prevent migration of people seeking happiness. “Lag-Hell on Earth”.


2011 Odyssey Performance Art Festival

Starting this week! The 2011 Odyssey Performance Art Festival runs from July 7th until the 17th on Odyssey.

Featuring performances by: Alan Sondheim/Alan Dojoji, Marmaduke and Kikas, SaveMe Oh, ArthOle, Kakukkfu Yosuke, Kai Steamer, Kristine Schomaker/Gracie Kendall, Liz Solo, Fau Ferdinand, Pyewacket Kazyanenko, DanCoyote Antonelli, the Second Life Cheerleading Squad, Sca Shilova, the Avatar Orchestra Metaverse and more.

Full Schedule coming shortly.


poster by Jo Ellsmere