Monthly Archives: January 2013

Mathesis

Machinima documentation from Alan Sondheim’s “Mathesis” – with Sandy Baldwin. Performed live at the 2012 Odyssey Performance Art Festival (The End of the World Festival) at the Odyssey Simulator in Second Life and at the Black Bag Media Collective Studio, St. John’s, NL.

To see stills from the performance and to download the IM text chat element from the piece please see: https://odysseysimulator.com/2013/01/04/mathesis/

See also: http://www.alansondheim.org

*/mathesis/*

****** again, a false mathesis, false geometrics here!
, augment, pressure mathesis, eventually loose
– Anthropic principles described in terms of mathesis, physics, and the
… i was in revolt, against mathesis, against those equations excluded,
0, 0′: neitherness, not both A and B, neither A nor B (a priori mathesis).
0: neitherness, not both A and B, neither A nor B (a priori mathesis)
1. edge phenomena in literature, codework, mathesis of the text
1. edge phenomena in literature, codework, mathesis of the text
11. Eventually mathesis dominates and the use of ‘proper models’ falls by
15:26:40 The “mathesis” program – and
3. mathesis such that node1 = f(node{n not = 1}), or such that
9. The ontology of mathesis is neither real nor virtual: athematics, in
:mathesis write

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Avatar Orchestra machinima

The machinima is slowly outputting from the 2012 Odyssey Performance Art Festival. Here is machinima documentation from Avatar Orchestra Metaverse’s performance at the 2012 Odyssey Performance Art Festival (The End of the World Festival). The performance took place on December 21, 2012, 10 am SLT at the AOM space at Odyssey in Second Lif and was projected live at Museum Sorgdrager, Ameland (The Netherlands) and at the Black Bag Media Collective Studio, St. John’s, Newfoundland (Canada)

New Mayan-inspired mask instruments designed by Norman Lowrey with additional instrumental mixes conceived and/or built by AOM members Andreas Mueller, Pauline Oliveros, Viv Corringham, Bjorn Eriksson, Shintaro Miyazaki, Sachiko Hayashi and Tina Pearson and with elements from the work of Stelarc. Set by Frieda Kuterna.

Machinima by Liz Solo

For a photo set from this performance please see this post:
https://odysseysimulator.com/2013/01/03/aom-at-2013-odyssey-festival/

Dreaming in the New Year

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In Parallel: Dreaming into Alternate Universes

with Norman Lowrey aka North Zipper

A Virtual Celebration of the New Year Across 9 Time Zones.

Odyssey participated in the closing ceremony of Ione’s 17th Annual Dream Festival
in an overnight celebration of the New Year in Second Life.

Avatars logged in through the night and received a Dreaming/Sleeping Cap animation
, sound Dreaming into Alternate Universes instruments, and we dreamed
together, ringing in the New year as it struck from from Central European Time (CET) to Pacific Time.

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Second Front – Happy Birthday Fluxus

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Second Front performed Happy Birthday Fluxus a series of works celebrating 50 years of Fluxus performances. The performance happened simultaneously on Odyssey Exhibit A and at the Franklin Street Works in Stamford Connecticut. The event began with an intro by Second Front member Bibbe Hansen, followed by a live, streaming performance by Second Front and ending with a casual Q and A session. The performance was projected to a live audience in the gallery at Franklin Street Works.

The Happy Birthday Fluxus exhibit continues on Exhibit A on Odyssey and contains information on Fluxus and Fluxus performances as well as interactive installations.

Founded in 2006, Second Front is a seven-member troupe that includes Patrick Lichty (US), Scott Kildall (US), Liz Solo (Newfoundland), Bibbe Hansen (US), Yael Gilks (UK), Gaz (Italy), and Doug Jarvis (Canada). The group has performed extensively in galleries and museums all over the world. The artists perform remotely while their performance is screened in a venue where one or more members may be physically present. Their performances have been streamed live in New York, Los Angeles, Moscow, Brussels, Berlin, Vancouver and many other cities. They have been written about in publications including ArtForum, Art in America, Realtime Arts (Australia), Exibart (Italy) and Digital Art, Second Edition (by Christiane Paul).

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DJ Jce Emoto at End of the World Afterparty

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DJ Jce Emoto of dfm.nu DJing for the End of the World Festival Afterparty on Odyssey. Amazing tunes and sounds, we danced the night away.

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minimal glitch

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Jo Ellsmere and Pyewacket Kazyanenko’s  “minimal glitch” at the Odyssey Festival.

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Grass Conversations 2

haglet waiting for the start of Grass Conversation 2

haglet waiting for the start of Grass Conversation 2

haglet alter’s “Grass Conversations” with Wirxli II/Jacquelene Drinkall and Gijs Van Hesteren. Live also at Museum Sorgdrager, Ameland, the Netherlands and the Black Bag Media Collective Studio, St. John’s, Newfoundland.

To read the full text of the conversation from open chat please download this pdf: Grass Conversations Day 2

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Dinner Theatre of Cruelty

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Patrick Lichty’s Dinner Theatre of Cruelty at the Odyssey Festival. Avatars are bombarded with a special dinner that rains from the heavens. Eventually the experience dissolves into thin air.

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Erik Rzepka at the Odyssey Festival

Fau Ferdinand at Xisithra Lomu's installtion/performanceDocumentation from Erik Rzepka/Xisuthra Lomu’s installation and performance at the 2012 Odyssey Festival. Avatars wear objects created by the artist and become a part of a living installation.

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Second Front Ends the World

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Second Front go over the Fiscal Cliff for the 2012 Odyssey Festival. Live on Odyssey and at Open Space, Victoria Canada as part of the End of the World Karaoke Party and at the Black Bag Media Collective Studio in St. John’s, Newfoundland.

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