Tag Archives: Wrong Bienniale

Leave Nothing Untouched

odylogofinalLeave Nothing Untouched: A Wrong Biennial Pavilion Reception
Curated by Patrick Lichty

Featuring: Second Front and Virtual Fluxus @ Odyssey Art and Performance Simulator With Participants in San Francisco CA, Victoria BC, Hudson NY, St. John’s Newfoundland, London UK, and Sharjah UAE.
Friday, January 15, 2016 – 9 AM SLT/PST – onwards – Exhibit A Gallery, Odyssey Simulator in Second Life

As part of David Quiles Guilló’s Wrong Biennial, the Odyssey Art and Performance Simulator pavilion in Second Life, entitled Leave Nothing Untouched, will hold a reception/performance supporting its exhibition.

Second Front will present inaugural performances of their new work, “The Abramovic Trilogy” – Picasso’s Baby; The Avatar is Present, and The Second Font Method.
Other works on display at Exhibit A will include Al Hansen’s Alice Denham in 48 Seconds or Less by Bibbe Hansen/Virtual Fluxus; Burning Gnome by Patrick Lichty/Second Front and and installation of the machinima Red Dog for Freddie Herko by Second Front.

Beverages will be served.

SLURL:  http://maps.secondlife.com/secondlife/Odyssey/39/35/24

LNUposter
About the Artist
Second Front is the pioneering performance art group in the online avatar-based VR world, Second Life. Founded in 2006, Second Front includes Doug Jarvis (Victoria), Patrick Lichty (Chicago), Liz Solo (St. Johns), Bibbe Hansen (USA), Yael Gilks (UK) and Scott Kildall (San Francisco). Taking their influences from numerous sources, including Dada, Fluxus, Futurist Syntesi, the Situationist International. Second Front creates theatres of the absurd that challenge notions of virtual embodiment, online performance and the formation of virtual narrative. Created in 2006, they have already performed extensively, including in Vancouver, Chicago, New York, and has been featured in publications including SLate, Eikon, Realtime Arts (Australia), The Avastar (published by Axel-Springer, Germany) and most recently in Exibart (Italy).

Tagged , ,